So I assume, when you ask about Pulphouse, you mean the anthology series. Pulphouse itself was a publishing company that my husband Dean Wesley Smith and I started. Kristine: Well, do you have a few years? We can talk about this.įirst Pulphouse: the Hardback Magazine was an anthology series of twelve issues. Was that your first experience with anthologies? What did you hope to accomplish? How successful was it, from an editor/publisher standpoint and from a fan standpoint? What ultimately happened to it? That allows for a lot of freedom.Ĭarl: Tell us about Pulphouse. An anthology has no advertisers and builds its readership on its topic and the table of contents alone. A magazine is responsible to its readers and its advertisers. Kristine Kathryn Rusch: Anthologies can focus on a single topic or can take risks that a magazine cannot. What gap do anthologies fill that magazines cannot? Her latest project is Fiction River, a new anthology series.Ĭarl Slaughter: First, let’s talk about anthologies. She was editor of F&SF magazine for several years and was publisher and editor of Pulphouse’s Hardback Magazine. As an editor, she has a strong background in magazine and anthologies. She also has a lot of experience as a workshop instructor. Kristine Kathryn Rusch has vast experience and enormous success as an author, editor, and publisher.
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